Hamilton
The show is every bit as grand, electric, quiet, and transportive as its Broadway counterpart; in certain actors' cases, perhaps even more so!
Peter Debruge, The Los Angeles Times
Why see Hamilton?
The Broadway Phenomenon
The biggest Broadway show since The Book of Mormon has hit the road on its first ever national tour! Written by Tony, Grammy and Emmy Award winner Lin Manuel Miranda, Hamilton is a true landmark of American culture, tearing up the musical theatre rulebook with a score that is equal parts Sondheim and Notorious B.I.G., and a cast of ethnically diverse actors in the roles of the Founding Fathers. The story centers on Alexander Hamilton, one of our most important (and colorful) characters, who rose from his humble orphaned beginnings to play a major role in making America the country it is today.
Hamilton made its New York debut Off-Broadway at the Public Theater in 2015, where it was met with universal acclaim and was extended three times due to public demand. It lost none of its potency in the subsequent Broadway transfer, with Ben Brantley of the New York Times writing it was "changing the language of musicals". President Obama himself deemed it good enough for not one but two visits! In 2016, it won the Pulitzer Prize for Drama and scooped 11 Tony Awards, including Best Musical, Best Score and many more! In 2018, it swept up the Olivier Awards bagging seven of their recording breaking 11 nominations, including Best New Musical.
What Is Hamilton About?
One of the Founding Fathers, Alexander Hamilton's story is an extraordinary one. Born out of wedlock in the West Indies, and orphaned by the time he was 11, he arrived in New Jersey in 1772 to begin his grammar school education. From there he played a major role in the American revolutionary war, rising through the ranks to become an aide to George Washington. But that was only the beginning of the great man's story, with the proceeding chapters in his life taking in everything from sex scandals, fatal duels and the creation of the American Constitution.
Did You Know?
Hamilton didn't just conquer the stage, it took over the airwaves too! Its Grammy-winning Cast Recording was the highest charting album of its kind since 1963!
Key Information
Audience
Recommended for ages 12+
Run Time
Two hours and 30 minutes, including intermission
Dates
Finished Dec 4, 2022
Cast
Marcos Choi as George Washington
Eddie Ortega as Hercules Mulligan / James Madison
Tyler Fauntleroy as John Laurens / Philip Hamilton
Pierre Jean Gonzales as Alexander Hamilton
Neil Haskell as King George III
Jared Howelton as Marquis de Lafayette / Thomas Jefferson
Deon'te Goodman as Aaron Burr
Lencia Kebede as Angelica Schuyler
Jen Sese as Peggy Schuyler / Maria Reynolds
Nikisha Williams as Eliza Hamilton
With
Jisel Soleil Ayon, Travante S. Baker, Amanda Braun, Zach Bravo, Allie Jordan Butcher, Stephen Carrasco, Yossi Chaikin, Andrew Chappelle, John Devereaux, Nicole Deroux, Victoria Fiore, Lili Froehlich, Cyndal Gilmore, Alexis Hasbrouck, Devin Tyler Hatch, Tristan Hill, Jimmie J.J. Jeter, Marcus John, Dharon Jones, Ashley Lalonde, Vanessa Mckenzie, Kameron Richardson, Bella Rusli, Nick Sanchez and Anthony Santos
Creative
Book, Music & Lyrics by Lin-Manuel Miranda
Inspired by the book 'Alexander Hamilton' by Ron Chernow
Directed by Thomas Kail
Choreography by Andy Blankenbuehler
Scenic Design by David Korins
Sound Design by Nevin Steinberg
Costume Design by Paul Tazewell
Lighting Design by Howell Binkley
Awards
Olivier Awards 2018 - Wins
Best Actor in Supporting Role - Michael Jibson Outstanding Achievement in Music
Award for Best Lighting Design - Howell Binkley
Best Sound Design - Nevin Steinberg
Best New Musical - Hamilton
Best Actor in a Musical - Giles Terera
Best Theatre Choreographer - Andy Blanken Buehler
Pulitzer Prize for Drama
Recipient of the prestigious 2016 Pulitzer Prize for Drama
2016 Tony Award Wins
Best Musical
Best Book of A Musical - Lin Manuel Miranda
Best Original Score - Lin Manuel Miranda
Best Performance by an Actor in a Leading Role in a Musical - Leslie Odom Jr.
Best Performance by an Actor in a Featured Role in a Musical - Daveed Diggs
Best Performance by an Actress in a Featured Role in a Musical - Renee Elise Goldsberry
Best Costume Design of a Musical - Paul Tazewellbest
Best Lighting Design of a Musical - Howell Binkley
Best Direction of a Musical - Thomas Kail
Best Choreography - Andy Blackenbuehler
Best Orchestrations - Alex Lacamoire
2016 Tony Award Nominations
Best Musical
Best Book of A Musical - Lin Manuel Miranda
Best Original Score - Lin Manuel Miranda
Best Performance by an Actor in a Leading Role in a Musical - Lin Manuel Miranda
Best Performance by an Actor in a Leading Role in a Musical - Leslie Odom Jr.
Best Performance by an Actress in a Leading Role in a Musical - Phillipa Soo
Best Performance by an Actor in a Featured Role in a Musical - Jonathan Groff
Best Performance by an Actor in a Featured Role in a Musical - Christopher Jackson
Best Performance by an Actor in a Featured Role in a Musical - Daveed Diggs
Best Performance by an Actress in a Featured Role in a Musical - Renee Elise Goldsberry
Best Scenic Design of a Musical - David Korins
Best Costume Design of a Musical - Paul Tazewellbest
Best Lighting Design of a Musical - Howell Binkley
Best Direction of a Musical - Thomas Kail
Best Choreography - Andy Blackenbuehler
Best Orchestrations - Alex Lacamoire
DRAMA DESK AWARDS
Outstanding Musical
Outstanding Featured Actress in a Musical - Renee Elise Goldsberry
Outstanding Director of a Musical - Thomas Kail
Outstanding Music - Lin-Manuel Miranda
Outstanding Lyrics - Lin-Manuel Miranda
Outstanding Book of a Musical - Lin-Manuel Miranda
Reviews
Our review
Brilliant, engrossing, unforgettable
This is what our reviewer, Nicola Quinn, had to say when she saw Hamilton on Broadway in 2015: Lin-Manuel Miranda was inspired by his love for 90's rap and hip hop, and Broadway - it's in this mash-up that we experience music which moves by lyrics, beats
Nicola Quinn
Customer reviews
172 reviews, average rating: (3.9 Stars)
Chancellor Wyman
Far surpassed my expectations
The one thing that makes this score amazing is that it's completely sung/rapped throughout so that pretty much the entire show is caught on the OBC recording. I had listened to it a few times because I was afraid I wasn't going to catch what was going on live as a result but I was totally wrong. My wife and I were fully engaged with the staging, the musical and lyrical genius of Lin Manuel Miranda, the emotions, and just the overall swagger of the performances. King George III was a hilarious standout along with Jefferson. I also loved that the actor who played Washington, Paul Oakley Stovall, kept a more authoritative bearing as opposed to engaging in the street level squabbling that happened between Hamilton and Jefferson, among others. I didn't want it to be over. I definitely need to see it again. ... Read more
Mazzy
Hamilton with a little Detroit flare
I have owned the soundtrack (which gives you the whole show) for years and have listened to it... a hundred?? times by now, so I know I have expectations of how the songs should be sung. This Company sings them a little faster and overall with a little more edge, but I didn't mind it at all. Instead I felt it was Hamilton delivered with a little Detroit flare sprinkled on it. The same with the dance moves, based on clips the different Ham accounts have posted on YouTube. This Company does an excellent job of giving you the same great Broadway play but puts their own stamp on it, which has to be really hard to do on such a well recognized work, so I applaud them 1000x over for achieving that.
The ONLY concrit I would give is that the orchestra plays the songs a little fast and the conductor should read his/her actors better on that front. I didn't totally mind the faster speed (just slightly - like a beat to 1.5 beats faster tempo) since it went throughout the entire play BUT it did cause some lines to get muddled in the hurried delivery (two of our 4 party hadn't ever heard the songs and didn't catch some awesome key lines like 'when I meet T.J...include women in the sequel' because of the speed). The faster speed also doesn't seem to allow the actors to make their own acting choices about maybe holding or emphasizing a note for the development of their character. I noticed what I thought was this issue in the song 'Burn'. It's a very emotional and powerful song and the orchestra and actress didn't sound in sync in the first few lines, causing the actress to have to (like a pro!!) catch up without making it obvious. I think the Conductor of the Fisher orchestra needs to correct here to allow the actors to hold or emphasize, or even slow for dramatization, the notes as they see fit for the purposes of their portrayal of their characters. I understand that has to be incredibly hard to achieve that balance in a live show but hopefully they will get that worked out in future rehearsals.
Obviously the play is world renowned with many awards so everyone already knows it's a great show. ... Read more
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